When David Wilkinson bought a picturesque cottage alongside the Kennet
and Avon Canal in Berkshire, he was astonished to learn that the writer
Richard Aldington, a WWI veteran, had lived there in the 1920s. In his
most famous novel, Death of a Hero (1929), Aldington mourned the loss of
a generation of young men in the First World War, while in The Colonel's
Daughter (1931), he set out to show the effect of that loss on the young
women left behind. Intrigued, Wilkinson decided to trace the people who
had inspired this later novel. From servant girls to army officers, he
interviewed those who knew and talked freely about Aldington's time
amongst them, and the worrying effect that the work had on their lives.
Aldington had moved on by the time he wrote The Colonel's Daughter, but
for those involved the story would prove to be far closer to the truth
than was easily palatable. One woman in particular was immediately
recognizable and had to live with the consequences of Aldington's story
for the remainder of her long life.
Wilkinson's research led him to shoulder the uneasy truth of his
findings, and the mantle of assumed guilt followed him as he discovered,
firsthand, the uncomfortable effect of the novel on the village, and on
the women of the 'Lost Generation'.