The Danger of Music gathers some two decades of Richard Taruskin's
writing on the arts and politics, ranging in approach from occasional
pieces for major newspapers such as the New York Times to full-scale
critical essays for leading intellectual journals. Hard-hitting,
provocative, and incisive, these essays consider contemporary
composition and performance, the role of critics and historians in the
life of the arts, and the fraught terrain where ethics and aesthetics
interact and at times conflict. Many of the works collected here have
themselves excited wide debate, including the title essay, which
considers the rights and obligations of artists in the aftermath of the
9/11 terrorist attacks. In a series of lively postscripts written
especially for this volume, Taruskin, America's "public" musicologist,
addresses the debates he has stirred up by insisting that art is not a
utopian escape and that artists inhabit the same world as the rest of
society. Among the book's forty-two essays are two public addresses-one
about the prospects for classical music at the end of the second
millennium C. E., the other a revisiting of the performance issues
previously discussed in the author's Text and Act (1995)-that appear
in print for the first time.