Beethoven's piano sonatas are a cornerstone of the piano repertoire and
favourites of both the concert hall and recording studio. The sonatas
have been the subject of much scholarship, but no single study gives an
adequate account of the processes by which these sonatas were composed
and published. With source materials such as sketches and correspondence
increasingly available, the time is ripe for a close study of the
history of these works. Barry Cooper, who in 2007 produced a new edition
of all 35 sonatas, including three that are often overlooked, examines
each sonata in turn, addressing questions such as: Why were they
written? Why did they turn out as they did? How did they come into being
and how did they reach their final form? Drawing on the composer's
sketches, autograph scores and early printed editions, as well as
contextual material such as correspondence, Cooper explores the links
between the notes and symbols found in the musical texts of the sonatas,
and the environment that brought them about. The result is a biography
not of the composer, but of the works themselves.