Many studies have shown that images--their presence in the daily lives
of the faithful, the means used to control them, and their adaptation to
secular uses--were at the heart of the Reformation crisis in northern
Europe. But the question as it affects the art of Italy has been raised
only in highly specialized studies.
In this book, Alexander Nagel provides the first truly synthetic study
of the controversies over religious images that pervaded Italian life
both before and parallel to the Reformation north of the Alps. Tracing
the intertwined relationship of artistic innovation and archaism, as
well as the new pressures placed on the artistic media in the midst of
key developments in religious iconography, The Controversy of
Renaissance Art offers an important and original history of humanist
thought and artistic experimentation from one of our most acclaimed
historians of art.