The September 11th attacks in 2001 and the subsequent 'War on Terror'
have had a profound effect on American cinema, and the contemporary
Western is no exception. In this book, John White explores how films
such as Open Range, True Grit and Jane Got a Gun reinforce a
conservative myth of America exceptionalism; endorsing the use of
extreme force in dealing with enemies and highlighting the importance of
defending the homeland. Placing their characters within a dark world of
confusion and horror, these films reflect the United States' post-9/11
uncertainties, and the conflict between civilised values and the
brutality employed to defend them.