What were the origins of commedia dell'arte and how did it evolve as a
dramatic form over time and as it spread from Italy? How did its
relationship to the ruling ideology of the day change during the
Enlightenment? What is its legacy today?
These are just some of the questions addressed in this authoritative
overview of the dramatic, ideological and aesthetic form of commedia
dell'arte. The book's 3 sections examine the changing role of performers
and playwrights, improvisatory scenarios and scripted performance, and
its function as a vehicle for social criticism, to offer readers a clear
understanding of commedia dell'arte's evolution in Renaissance Italy and
beyond. This study throws new light on the role of women performers; on
the changing ideological discourse of commedia dell'arte, which included
social reform and, later, conservatism as well as the alienation of
ethnic minorities in complicity with its audience; and on its later
adaptation into hybrid forms including grotesque dance and the
giullarata typified by the work of Dario Fo.