The Roman dramatist Terence (c. 186-159 BC) adapted many of his comedies
from Greek sources, rendering them suitable for audiences of his own
time by introducing subtler characterization and more complex plots. In
his romantic play, The Girl from Andros, Terence portrays a love
affair saved by a startling discovery. The Self-Tormentor focusses on
a man's remorse after sending his son to war, and The Eunuch depicts a
case of mistaken identity. Phormio is as rich in intrigue as a French
farce, while The Mother-in-Law shows two families striving to save a
marriage and The Brothers contrasts strict and lenient upbringings. With
their tight plots and spare dialogue, Terence gave his plays a sense of
humanity that became a model in the Renaissance and greatly influenced
Molière.
For more than seventy years, Penguin has been the leading publisher of
classic literature in the English-speaking world. With more than 1,700
titles, Penguin Classics represents a global bookshelf of the best works
throughout history and across genres and disciplines. Readers trust the
series to provide authoritative texts enhanced by introductions and
notes by distinguished scholars and contemporary authors, as well as
up-to-date translations by award-winning translators.