This book is a visual and written exploration of the constructed
photograph as created in the last decades of the 20th century and the
first decades of the 21st century. It documents a collection built by
Frazier King, that was exhibited by FotoFest International in the
Collector's Eye II Exhibition. An essay by Mr. King's essay reflects on
76 images of a variety of constructed photographs included in the
collection. The narrative explores how Mr. King's own work with this
type of image has resulted in a collection of constructed photographs
and explains the varied nature of this category of image. The reader
gets a personal and inside glimpse of the dynamics of photographic
reviews such as FotoFest Meeting Place and how artists, collectors and
curators interact in this venue and the relationships they form. In
addition to an essay by Mr. King this volume includes an essay by Wendy
Watriss, co-founder and Senior Artistic Advisor of FotoFest, on the
significance of collecting and the role of the collector. The third
essay is by Madeline Yale Preston, an independent curator based in
London, who addresses the role of the collector as curator and the
historical evolution and importance of the constructed photograph.