The Opus Maximum gathers the last major body of unpublished prose
writings by Samuel Taylor Coleridge. Consisting primarily of fragments
dictated to Joseph Henry Green, probably between 1819 and 1823, these
writings represent all that exists of what Coleridge considered to be
"the principal Labour" and "the great Object" of his life, which he
called variously the Logosophia and Magnum Opus.
Dedicated to "the reconcilement of the moral faith with the Reason,"
Coleridge's envisioned Magnum Opus was supposed to "reduce all
knowledges into harmony." While such a synthesis finally eluded him, and
the Magnum Opus remained unfinished, the surviving fragments
nonetheless bear powerful witness to Coleridge's engagement with
theology, moral philosophy, natural philosophy, and logic, among other
disciplines. Among the subjects that will particularly interest readers
are Coleridge's criticisms of Epicureanism, pantheism, and German
Naturphilosophie; his attempt to ground reason in faith; and his
reflections on personhood (especially in the relationship between mother
and child), on will, on language, and on the Logos.
Previously unknown to all but a handful of scholars, the manuscripts
presented here provide valuable insight into a crucial period of
Coleridge's intellectual development, as he became increasingly
dissatisfied with Naturphilosophie and struggled to affirm Trinitarian
Christianity on a rational basis. With this volume, The Collected Works
of Samuel Taylor Coleridge, begun forty years ago under the sponsorship
of the Bollingen Foundation and the editorship of the late Kathleen
Coburn, is now complete.