Michael Davidson - author of the highly acclaimed Mozart and the
Pianist - casts new light on some of the most masterly sonatas written
for the piano and on the uniqueness of these great compositions and
their composers. Excepting the considerable literature on Beethoven, few
studies are available which explore the interpretation of this much
played repertoire. This study is not only a detailed look at fourteen
sonatas; one can also learn more about other works by these composers
and about aspects of 'style' - that magical quality which differentiates
Haydn from Mozart, Beethoven from Schubert, Liszt from Brahms.