This book analyses the work of Oliver Stone - arguably one of the
foremost political filmmakers in Hollywood during the last thirty years.
From early productions like Platoon (1986) and Wall Street (1987) to
contemporary dramas and documentaries such as World Trade Center
(2006), Wall Street: Money Never Sleeps (2010) and The Untold History
of the United States (2012) Stone has re-defined political filmmaking
in an era when Hollywood and the United States in general has been
experiencing rapid and radical change.
Drawing on previously unseen production files as well as hours of
interviews with the director and his associates within the industry,
this book is a thematic exploration of Stone's life and work, charting
the development of political and aesthetic changes in his filmmaking.
Those changes are mapped onto academic debates about the relationship
between film and history as well as wider critiques about Hollywood and
the film industry.