This comprehensive study of prolific British filmmaker Michael
Winterbottom explores the thematic, stylistic, and intellectual
consistencies running through his eclectic and controversial body of
work. This volume undertakes a close analysis of a TV series directed by
Winterbottom and sixteen of his films ranging from television dramas to
transnational co-productions featuring Hollywood stars, and from
documentaries to costume films. The critique is centered on
Winterbottom's collaborative working practices, political and cultural
contexts, and critical reception. Arguing that his work delineates a
'cinema of borders', this study examines Winterbottom's treatment of
sexuality, class, ethnicity, and national and international politics, as
well as his quest to adequately narrate inequality, injustice, and
violence.