Since 2007 Mia Hansen-Løve has directed a series of meditative film
dramas about families, love, vulnerability and growing up, all of them
exceptionally attentive to film's ability to convey the passing of time,
separation and loss. As the first book-length study of the films of Mia
Hansen-Løve, this volume introduces her cinema to both an academic and a
general readership. Exploring her move from acting, via criticism, to
directing, the book first investigates the complexity of her situation
as a female auteur based in France. With detailed readings of her films
up to Maya (2018), it then examines the precariousness of their
families, their emphasis on vulnerability, failure, adversity and
resilience, the particular candour of Hansen-Løve's filming style, and
the vital parts played by music and time in her cinema. It concludes
that her cinema may best be regarded as a thoroughly contemporary one,
distinguished by a tendency to transcendence that is both ethical and
aesthetic.