This timely volume explores the massively popular cinema of
writer-director James Cameron. It couches Cameron's films within the
evolving generic traditions of science fiction, melodrama, and the
cinema of spectacle. The book also considers Cameron's engagement with
the aesthetic of visual effects and the 'now' technology of
performance-capture which is arguably moving a certain kind of
event-movie cinema from photography to something more akin to painting.
This book is explicit in presenting Cameron as an authentic auteur, and
each chapter is dedicated to a single film in his body of work, from
The Terminator to Avatar. Space is also given to discussion of
Strange Days as well as his short films and documentary works.