In this comprehensive portrait of horror's definitive director, Tony
Williams ties George A. Romero's films to the development of literary
naturalism and American culture, expanding the artist's creative
footprint beyond his mastery of the "splatter movie" genre. Williams
locates Romero's influences in the work of Emile Zola, the Entertainment
Comics of the 1950s, and the novels of Stephen King, revealing the
interdisciplinary depth of his seminal films Night of the Living Dead
(1968), Creepshow (1982), Monkey Shines (1988), and The Dark Half
(1992). For this second edition, Williams reads Romero's Bruiser
(2000) against his more recent Land of the Dead (2005) and takes a
fresh look at Diary of the Dead (2007) and Survival of the Dead
(2009), two overlooked films that feature Romero's greatest achievements
yet.