Álex de la Iglesia, initially championed by Pedro Almodóvar, and at one
time the enfant terrible of Spanish film, still makes film critics
nervous. The director of some of the most important films of the
Post-Franco era - Acción mutante, El día de la bestia, Muertos de risa -
receives here the first full length study of his work. Breaking away
from the pious tradition of acclaiming art-house auteurs, The cinema of
Álex de la Iglesia tackles a new sort of beast: the popular auteur, who
brings the provocation of the avant-garde to popular genres such as
horror and comedy.
This book brings together Anglo-American film theory, an exploration of
the legal and economic history of Spanish audio-visual culture, a
comprehensive knowledge of Spanish cultural forms and traditions
(esperpento, sainete costumbrista) with a detailed textual analysis of
all of Álex de la Iglesia's seven feature films.