Aki Kaurismäki is an enigma, an eminent auteur who claims his films are
a joke. Since 1983, Kaurismäki has produced classically-styled films
filled with cinephilic references to film history. He has earned an
international art-house audience and many prizes, influencing such
directors as Jim Jarmusch, Quentin Tarantino, and Wes Anderson. Yet
Kaurismäki is often depicted as the loneliest, most nostalgic of Finns
(except when he promotes his films, makes political statements, and runs
his many businesses). He is also depicted as a bohemian known for
outlandish actions and statements. The Cinema of Aki Kaurismäki is the
first comprehensive English-language study of this eccentric director.
Drawing on revisionist approaches to film authorship, the text links the
filmmaker and his films to the stories and issues animating film
aesthetics and history, nostalgia, late modernity, politics, commerce,
film festivals, and national cinema.