Wang Wei (698-759) is one of the greatest High Tang poets. His works are
often claimed to take a Buddhist perspective, combining appreciation of
the beauties of nature with awareness of sensory illusion, and thus
render Wang widely known as Poet Buddha. The book is an original and
ambitious attempt to criticize the prevalent assumptions about Chan
Buddhist implications in Wang's nature poetry. The author weaves in
information and perspectives from literal and historical sources, using
them to examine Wang's ideology of reclusion, his associations with
Buddhist monks and his apprehension of Buddhism doctrines. While
researches on similar topics investigates how Wang might have
intentionally imparted Chan significance into his poetry, this book
shows concretely both why this is not so and how it lacks evidence.