As a literary mode "lyric" is difficult to define precisely. While the
term has conventionally been applied to brief, songlike poems expressing
the speaker's interior thoughts critics have questioned many of the
assumptions underlying this definition, calling into doubt the very
possibility of self-expression in language. Whereas much recent
scholarship on lyric has centered on the Romantic era, Heather Dubrow
turns instead to the poetry of early modern England. The Challenges of
Orpheus confronts widespread assumptions about lyric, exploring such
topics as its relationship to its audiences, the impact of material
conditions of production and other cultural pressures, lyric's
negotiations of gender, and the interactions and tensions between lyric
and narrative. Offering fresh perspectives on major texts of the
period-from Wyatt's "My lute awake" to Milton's Nativity Ode-as well as
poems by lesser-known figures, Dubrow extends her critical conclusions
to poetry in other historical periods and to the relationship between
creative writers and critics, recommending new directions for the study
of lyric and of genre.