The thirty-nine ceiling paintings which Rubens painted in 1620-1621 for
the newly-built Jesuit Church in Antwerp constituted the most extensive
commission he had received up to that thime. They perished by fire in
1718, however, many of Rubens's spirited grisaille sketches and final
oil sketches for the canvas paintings have survived, and they, together
with documents and with contemporary copies by other artists, allow us
to reconstruct not only the iconography and compositions of the
paintings, but also their style and the overall effect of the series. In
this volume, the author discusses the building of the Jesuit Church and
the terms of the commission given to Rubens, deals with the fire of 1718
and the work of the copyists, and gives a critical catalogue of the
surviving sketches by Rubens.