The C.S. Lewis Phenomenon names the way in which Lewis's presentations
of Christianity in both his fiction and non-fiction depend upon the
conventions of the public sphere this study explores three facets of
that phenomenon. The first concerns Lewis's accomplishment as a public
intellectual. Conceiving Lewis as a public intellectual also provides a
useful meta-critical lens for exploring his symbiotic relationship to
the public sphere, revealing how his place within the public sphere
mirrors its rupture. A meta-critical analysis also sheds light on the
Lewis industry, highlighting the curiosities that have characterized
Lewis scholarship from its beginning.