Arthur Schnitzler described Reigen, his loose series of sexual
sketches, as "completely unprintable," and indeed its premiere in 1921
spurred an obscenity suit. It was only when Max Oph"ls made his famous
film in 1950 that the work became better known as La Ronde. Now David
Hare has reset these circular scenes of love and betrayal in the present
day, with a cast of two actors playing a succession of characters whose
sexual lives enmesh like a daisy chain. The Blue Room is a brilliant
meditation on men and women, sex and social class, actors and the
theater. With deft insight about the gap between the sexes, The Blue
Room takes the treacherous Freudian subject of projection and desire
and reinvents it in a bittersweet landscape that is both eternal and
completely up-to-date.