Emerging from a matrix of Old Left, black nationalist, and bohemian
ideologies and institutions, African American artists and intellectuals
in the 1960s coalesced to form the Black Arts Movement, the cultural
wing of the Black Power Movement. In this comprehensive analysis, James
Smethurst examines the formation of the Black Arts Movement and
demonstrates how it deeply influenced the production and reception of
literature and art in the United States through its negotiations of the
ideological climate of the Cold War, decolonization, and the civil
rights movement.
Taking a regional approach, Smethurst examines local expressions of the
nascent Black Arts Movement, a movement distinctive in its geographical
reach and diversity, while always keeping the frame of the larger
movement in view. The Black Arts Movement, he argues, fundamentally
changed American attitudes about the relationship between popular
culture and "high" art and dramatically transformed the landscape of
public funding for the arts.