In The Birth of Tragedy Nietzsche expounds on the origins of Greek
tragedy and its relevance to the German culture of its time. He declares
it to be the expression of a culture which has achieved a delicate but
powerful balance between Dionysian insight into the chaos and suffering
which underlies all existence and the discipline and clarity of rational
Apollonian form. In order to promote a return to these values, Nietzsche
critiques complacent rationalism of late nineteenth-century German
culture and makes an impassioned plea for the regenerative potential of
the music of Wagner. A wide ranging discussion of the nature of art,
science, and religion, The Birth of Tragedy's argument raises
important questions about the problematic nature of cultural origins
which are still valid today.
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