The Big Lebowski begins with a case of mistaken identity which
escalates when Jeffrey Lebowski-alias The Dude-attempts to seek
recompense for the despoliation of his ratty-ass little rug, and then
finds himself entangled in a kidnapping caper as a bagman-a situation
that goes from bad to worse due to the interference of his hapless
bowling partners.
In this film the Coen brothers have taken on the preoccupations of
Raymond Chandler, but have given them a postmodern spin, while at the
same time leaving Philip Marlowe's ethos intact as The Dude wanders
through the fractured world of nineties L.A. trying to do the right
thing. Like the award winning Fargo, The Big Lebowski is suffused
with a droll humor and a verbal felicity that is as delightful as it is
startling.