Seven decades after its original publication, Clarice Lispector's third
novel--the story of a girl and the city her gaze reveals--is in English
at last. Lucrécia Neves is ready to marry. Her suitors--soldierly
Felipe, pensive Perseu, dependable Mateus--are attracted to her tawdry
not-quite-beauty, which is of a piece with Sao Geraldo, the
rough-and-ready township she inhabits. Civilization is on its way to
this place, where wild horses still roam. As Lucrécia is tamed by
marriage, Sao Geraldo gradually expels its horses; and as the town
strives for the highest attainment it can conceive--a viaduct--it takes
on the progressively more metropolitan manners that Lucrécia, with her
vulgar ambitions, desires too. Yet it is precisely through this woman's
superficiality--her identification with the porcelain knickknacks in her
mother's parlor--that Clarice Lispector creates a profound and enigmatic
meditation on "the mystery of the thing." Written in Europe shortly
after Clarice Lispector's own marriage, The Besieged City is a proving
ground for the intricate language and the radical ideas that
characterize one of her century's greatest writers--and an ironic ode to
the magnetism of the material.