From the High Middle Ages the dominance of Gregorian chant has obscured
the fact that musical practice in early medieval Europe was far richer
than has hitherto been recognized. Despite its historical importance,
the Gregorian is not the most consistent and probably not the oldest
form of Christian chant. The recovery and study of regional musical
dialects having a common ancestry in the Christian church and Western
musical tradition are reshaping our view of the early history of
Christian liturgical music. Thomas Kelly's major study of the Beneventan
chant reinstates one of the oldest surviving bodies of Western music:
the Latin church music of southern Italy as it existed before the spread
of Gregorian chant. Dating from the seventh and eighth centuries it was
largely forgotten after the Carolingian desire for political and
liturgical uniformity imposed Gregorian chant throughout the realm. But
a few later scribes, starting apparently in the tenth century, preserved
a part of this regional heritage in writing. This book reassembles and
describes the surviving repertory.