This is the first book to tell the story of the bebop subculture in
London's Soho, a subculture that emerged in 1945 and reached its
pinnacle in 1950. In an exploration via the intersections of race, class
and gender, it shows how bebop identities were constructed and
articulated. Combining a wide range of archival research and theory, the
book evocatively demonstrates how the scene evolved in Soho's clubs, the
fashion that formed around the music, drug usage amongst a contingent of
the group, and the moral panic which led to the police raids on the
clubs between 1947 and 1950. Thereafter it maps the changes in popular
culture in Soho during the 1950s, and argues that the bebop story is an
important precedent to the institutional harassment of black-related
spaces and culture that continued in the twentieth and twenty-first
centuries. This book therefore rewrites the first chapter of the
'classic' subcultural canon, and resets the subcultural clock; requiring
us to rethink the periodization and social make-up of British post-war
youth subcultures.