The edited transcript of revealing autobiographical audiotapes
recorded by the groundbreaking poet Robin Blaser
Robin Blaser moved from his native Idaho to attend the University of
California, Berkeley, in 1944. While there, he developed as a poet,
explored his homosexuality, engaged in a lively arts community, and met
fellow travelers and poets Robert Duncan and Jack Spicer. The three men
became the founding members of the Berkeley core of what is now known as
the San Francisco Renaissance in New American Poetry.
In the company of a small group of friends and writers in 1974, Blaser
was asked to narrate his personal story and to comment on the Berkeley
poetry scene. In twenty autobiographical audiotapes, Blaser talks about
his childhood in Idaho, his time in Berkeley, and his participation in
the making of a new kind of poetry. The Astonishment Tapes is the
expertly edited transcript of these recordings by Miriam Nichols,
Blaser's editor and biographer.
In The Astonishment Tapes Blaser comments extensively on the poetic
principles that he, Duncan, and Spicer worked through, as well as the
differences and dissonances between the three of them. Nichols has
edited the transcripts only minimally, allowing readers to make their
own interpretations of Blaser's intentions.
Sometimes gossipy, sometimes profound, Blaser offers his version on the
inside story of one of the most significant moments in mid-twentieth
century American poetry. The Astonishment Tapes is of considerable
value and interest, not only to readers of Blaser, Duncan, and Spicer,
but also to scholars of the early postmodern and twentieth-century
American poetry.