Widely acknowledged as a major turning point in the history of visual
depictions of war, Francisco de Goya's renowned print series The
Disasters of War remains a touchstone for serious engagement with the
violence of war and the questions raised by its artistic representation.
The Art of Witnessing provides a new account of Goya's print series by
taking readers through the forty-seven prints he dedicated to the
violence of war. Drawing on facets of Goya's artistry rarely considered
together before, the book challenges the notion that documentary realism
and historical testimony were his primary aims. Michael Iarocci argues
that while the depiction of war's atrocities was central to Goya's
project, the lasting power of the print series stems from the artist's
complex moral and aesthetic meditations on the subject.
Making novel contributions to longstanding debates about historical
memory, testimony, and the representation of violence, The Art of
Witnessing tells a new story, print by print, to highlight the ways in
which Goya's masterpiece extends far beyond conventional understandings
of visual testimony.