Uniquely complex in both form and structure, this work by J. S. Bach is
regarded as a pinnacle of Western music. No composer possessed a greater
understanding of the workings of counterpoint than Bach. In The Art of
the Fugue, he summarizes counterpoint's entire known potential by using
a very simple theme in the most complex possible ways.
This work proved to be Bach's last, and the composer left the nature of
its instrumentation undocumented. Despite numerous popular
interpretations -- including harpsichord, organ, string quartet, and
orchestra -- speculation persists that Bach intended it purely as an
elaborate intellectual exercise. C. P. E. Bach declared its primary
value as that of a teaching aid and a guide to composition. This solo
keyboard edition was edited by Carl Czerny, a student of Beethoven and
teacher of Liszt, who wrote hundreds of piano études that remain staples
of piano training today. Modern pianists will find Czerny's edition of
this classic a source of unfailing variety and limitless imagination.