In the past hundred years, haiku has gone far beyond its Japanese
origins to become a worldwide phenomenon--with the classic poetic form
growing and evolving as it has adapted to the needs of the whole range
of languages and cultures that have embraced it. This proliferation of
the joy of haiku is cause for celebration--but it can also compel us to
go back to the beginning: to look at haiku's development during the
centuries before it was known outside Japan. This in-depth study of
haiku history begins with the great early masters of the form--like
Basho, Buson, and Issa--and goes all the way to twentieth-century
greats, like Santoka. It also focuses on an important aspect of
traditional haiku that is less known in the West: haiku art. All the
great haiku masters created paintings (called haiga) or calligraphy in
connection with their poems, and the words and images were intended to
be enjoyed together, enhancing each other, and each adding its own
dimension to the reader's and viewer's understanding. Here one of the
leading haiku scholars of the West takes us on a tour of haiku poetry's
evolution, providing along the way a wealth of examples of the poetry
and the art inspired by it.