Fresh examinations of one of the most important church furnishings of
the middle ages.
The churches of medieval Europe contained richly carved and painted
screens, placed between the altar and the congregation; they survive in
particularly high numbers in England, despite being partly dismantled
during the Reformation. While these screens divided "lay" from
"priestly" jurisdiction, it has also been argued that they served to
unify architectural space. This volume brings together the latest
scholarship on the subject, exploring in detail numerous aspects of the
construction and painting of screens, it aims in particular to unite
perspectives from science and art history. Examples are drawn from a
wide geographical range, from Scandinavia to Italy.