Martin Buber and friends successfully lobbied the congress for inclusion
of cultural Zionism into the official agenda of the Zionist
organization, resulting in the establishment of the Bezalel Art
Institute in Jerusalem in 1905. In the first book of its kind, Gilya
Gerda Schmidt places this art exhibition in the context of political
Zionism as well as anti-Semitism. Jews had been denied the opportunity
to be creative, and religious Zionists feared that Jewish culture would
usurp religion within the Zionist movement.
Hermann Struck, an artist and Orthodox Jew, became a founding member of
the religious Zionist Party, further supporting Buber's assertion that
culture and religion were not at odds. The forty-eight works of art in
the exhibition were created by eleven artists, all but two of whom were
famous in their lifetime. Until now, their works had been largely
forgotten. In the last decade, contributing artists--Ephraim Lilien,
Lesser Ury, Jozef Israels, Struck, and Maurycy Gottlieb--have enjoyed a
revival of their work.