What is the place of architecture in the history of art? Why has it been
at times central to the discipline, and at other times seemingly so
marginal? What is its place now?
Many disciplines have a stake in the history of architecture -
sociology, anthropology, human geography, to name a few. This book deals
with perhaps the most influential tradition of all - art history -
examining how the relation between the disciplines of art history and
architectural history has waxed and waned over the last one hundred and
fifty years.
In this highly original study, Mark Crinson and Richard J. Williams
point to a decline in the importance attributed to the role of
architecture in art history over the last century - which has happened
without crisis or self-reflection. The book explores the problem in
relation to key art historical approaches, from formalism, to feminism,
to the social history of art, and in key institutions from the Museum of
Modern Art, to the journal October. Among the key thinkers explored
are Banham, Baxandall, Giedion, Panofsky, Pevsner, Pollock, Riegl, Rowe,
Steinberg, Wittkower and Wölfflin. The book will provoke debate on the
historiography and present state of the discipline of art history, and
it makes a powerful case for the reconsideration of architecture.