This volume was born from a desire to leave a tangible trace of the
scholarly encounters that have taken place in the past two years at the
Center for Early Medieval Studies of the Department of Art History at
Masaryk University in Brno. Speaking in various forums Xavier Barral i
Altet, Nicolas Bock, Valentina Cantone, Herbert Kessler, Serena Romano
and Elisabetta Scirocco have sparked exciting discussions of what
continues to be known as a Middle Age. The common denominator that
unites all of the scholarly work presented was the dialogue between the
medieval "present" and the antique world: from Venice through Campania
to Milan, from Constantinople to Burgundy, there emerged an intellectual
and visual experience that suggests the medieval period was a uniquely
fertile moment for engagement with the heritage of antiquity, filtered
and mediated in different ways, but ever present. The purpose of this
volume is to understand why and how patterns, images and ideas from the
mythical (but visible) ancient past were received throughout the
medieval millennium. We seek, that is, to understand why, hic et nunc,
clients and workshops deliberately chose to speak in a "classicizing"
aesthetic language, or to appropriate concepts belonging to the antique
tradition wholesale.