Robert Frost, Elizabeth Bishop, and John Ashbery stand out among major
American poets - all three shaped the direction and pushed the
boundaries of contemporary poetry on an international scale. Drawing on
biography, cultural history, and original archival research, MacArthur
shows us that these distinctive poets share one surprisingly central
trope in their oeuvres: the Romantic scene of the abandoned house. This
book scrutinizes the popular notion of Frost as a deeply rooted New
Englander, demonstrates that Frost had an underestimated influence on
Bishop - whose preoccupation with houses and dwelling is the obverse of
her obsession with travel - and questions dominant, anti-biographical
readings of Ashbery as an urban-identified poet. As she reads poems that
evoke particular landscapes and houses lost and abandoned by these
poets, MacArthur also sketches relevant cultural trends, including
patterns of rural de-settlement, the transformation of rural economies
from agriculture to tourism, and modern American s increasing mobility
and rootlessness.