A landmark account of architectural theory and practice from acclaimed
philosopher Roger Scruton
Architecture is distinguished from other art forms by its sense of
function, its localized quality, its technique, its public and
nonpersonal character, and its continuity with the decorative arts. In
this important book, Roger Scruton calls for a return to first
principles in contemporary architectural theory, contending that the
aesthetic of architecture is, in its very essence, an aesthetic of
everyday life. Aesthetic understanding is inseparable from a sense of
detail and style, from which the appropriate, the expressive, the
beautiful, and the proportionate take their meaning. Scruton provides
incisive critiques of the romantic, functionalist, and rationalist
theories of design, and of the Freudian, Marxist, and semiological
approaches to aesthetic value.
In a new introduction, Scruton discusses how his ideas have developed
since the book's original publication, and he assesses the continuing
relevance of his argument for the twenty-first century.