The aim of this book is to investigate the means of creating new
techniques for the classical guitar by adapting specific techniques
typical of the Anatolian long-necked, plucked folk lute with movable
frets known as the bağlama or saz. The means of performance and notation
of these new techniques are illustrated comprehensively with the related
figures, tables and scores in the thesis. Many exercises, etudes and
arrangements have been written to teach and improve these techniques.
One of the most significant aspects of contemporary classical music is
the search for new timbres, sounds, effects, sonorities and techniques.
By following this trend, the possibilities of the standardized classical
music instruments have been expanded and extended techniques that can
attain new timbres and effects have been created. Within this context,
this study will introduce the bağlama and illustrate how its technical
possibilities have been developed in the last twenty years through the
efforts of performers and academics, and more specifically how a
synthesis of these techniques with guitar techniques and styles has been
achieved.