Brigands, convents under siege, a prince who'd do Machiavelli proud . .
. This adventurous novella from a writer famous for far longer works is
a singular take on love and war in Renaissance Italy.
Claiming to be translating from sixteenth-century manuscripts, Stendhal
tells the story of two doomed young lovers--one the daughter of the
wealthiest man in the district, the other a brigand. It's a genuinely
moving tale of impossible love--with plenty of swordfights thrown
in--that's unique in Stendhal's oeuvre, not least in its portrait of an
intelligent woman who, ill-starred in love, turns to worldly power.
There's also some sparkling analysis of the conditions that produced the
great art of the Renaissance.
But The Abbess of Castro--first published in the same year as Stendhal's
novel The Charterhouse of Parma--is also characterized by themes that
pervade his longer novels: political and familial machinations, a
profoundly unsentimental view of war, ambitious individuals undone by
passion.
Never before available as a standalone edition, the novella is a
powerful dose of the writer at the peak of his skills.