The poems in James Sheard's remarkable third book are about love and
leaving, of how the rift of departure brings on a kind of haunting - of
the people involved and the places where they lived - an emotional trace
of departed lives and loves. This is what these poems are: the scars of
separation, the spoors of desire. Sheard writes powerfully about loss,
about how the vestiges of significance, of sensual heat, are retained by
structures - in ghost towns, war-zones, deserted villages or resorts -
but also by the human body and memory: 'for love exists, and then is
ruined, and then persists.'
These are poems about permanence and fragility, of being uncertain
whether the house you live in is a shell, or if you have become a shell
by living there - whether emptiness means loss and abandonment or a
clean start and a new beginning. But these are also poems full of the
ache of desire, the tart, lingering smell of sex: poems shaped by
longing.
James Sheard is one of Britain's most assured and precise lyric poets,
and his third collection brings all his considerable strengths to poems
as accurate and strange as thermal images.