One of the most delightful facets of his particular talent is seen in
the Fantasies. . . . These Rococo miniatures have a lively opening
section with light and clear-textured writing, a brief slow section in
homophonic style, and then a return to the initial section. --
Gillespie, *Five Centuries of Keyboard Music.
*Widely regarded as one of the most important German composers of the
early and middle eighteenth century, Telemann (1681-1767) was a highly
skilled contrapuntist with excellent technical mastery and a fluent
command of melody. He was also extremely prolific. According to Handel,
he could write a motet in eight parts as easily as anyone else could
write a letter.
Today, the keyboard works of this early master are being studied,
played, and recorded more than ever before. The Fantasias (published
1732-33) are of particular historic interest, for along with their
polish, grace, and fluidity, the beginnings of the sonata form are
revealed in Telemann's technique of bringing together different
motifs.
Now all 36 of these graceful, appealing compositions are available in
this authoritative edition, ready to challenge and delight keyboard
artists with a wealth of freshness, wit, and lighthearted *style
galant.
*