Having surveyed post-war British drama in State of the Nation, Michael
Billington now looks at the global picture. In this provocative and
challenging new book, he offers his highly personal selection of the 101
greatest plays ranging from the Greeks to the present-day.
But his book is no mere list. Billington justifies his choices in
extended essays -- and even occasional dialogues -- that put the plays
in context, explain their significance and trace their performance
history. In the end, it's a book that poses an infinite number of
questions. What makes a great play? Does the definition change with time
and circumstance? Or are certain common factors visible down the ages?
It's safe to say that it's a book that, in revising the accepted canon,
is bound to stimulate passionate argument and debate.
Everyone will have strong views on Billington's chosen hundred and one
and will be inspired to make their own selections. But, coming from
Britain's longest-serving theatre critic, these essays are the product
of a lifetime spent watching and reading plays and record the adventures
of a soul amongst masterpieces.