THAT WHICH I TOUCH HAS NO NAME is dialogic, an attempt to unearth the
equilibrium between the blank page and the self in urban and rural
places. This multilingual, polyphonic book is an inking, a verbal
construction, gnawing away at its own predecessors, at the way we read,
and at language itself. It asks: ìWhat holds up, contains, structures,
leaks out of our pages, our selves?î The singularity of plural
experience, and the plurality of singular experience, infuse and are
infused by these dazzling, shape-shifting pages.
Poetry.