This book examines the concept of coherence in film studies. It asks if
there are ways to appreciate the achievement of coherence in narrative
films that are characterised by an eccentric or difficult style, as well
as by an apparently confusing intelligibility. In order to answer this
critical question, the author argues that we need to reconsider the
predominant understanding of the concept of coherence in film studies.
Virvidaki identifies how a general function of coherence is manifested
through the aesthetic of transparency and unobtrusiveness of classical
Hollywood film. The author then proceeds to a close analysis of
stylistically perplexing narrative films, in order to demonstrate how we
can broaden, expand and readjust the classical criteria of coherence.
Testing Coherence in Narrative Film will appeal to film and philosophy
scholars interested in aesthetics and narrative form.