The horror and psychological denial of our mortality, along with the
corruptibility of our flesh, are persistent themes in drama. Body horror
films have intensified these themes in increasingly graphic terms. The
aesthetic of body horror has its origins in the ideas of the Marquis de
Sade and the existential philosophies of Arthur Schopenhauer and
Friedrich Nietzsche, all of whom demonstrated that we have just cause to
be anxious about our physical reality and its existence in the world.
This book examines the relationship between these writers and the
various manifestations of body horror in film. The most characteristic
examples of this genre are those directed by David Cronenberg, but body
horror as a whole includes many variations on the theme by other
figures, whose work is charted here through eight categories:
copulation, generation, digestion, mutilation, infection, mutation,
disintegration and extinction.