From her childhood in Detroit to her professional career in New York
City, American composer Lucia Dlugoszewski (1925-2000) lived a life of
relentless creativity as a poet and writer, composer for dance, theater,
and film, and, eventually, choreographer. Forging her own path after
briefly studying with John Cage and Edgard Varèse, Dlugoszewski tackled
the musical issues of her time. She expanded sonic resources, invented
instruments, brought new focus to timbre and texture, collaborated with
artists across disciplines, and incorporated spiritual, psychological,
and philosophical influences into her work. Remembered today almost
solely as the musical director for the Erick Hawkins Dance Company,
Dlugoszewski's compositional output, writings on aesthetics, creative
relationships, and graphic poetry deserve careful examination on their
own terms within the history of American experimental music.