Tennyson is not known for his scepticism. This book argues that he
should be. It proposes a revaluation of the way in which his work is
read. Tennyson has always been understood as a poet who is committed
primarily to endorsing spiritual values. But this study argues that much
of his poetry is driven by a metaphysical scepticism that is associated,
in part, with rational perspectives deriving from Enlightenment thought.
The scepticism in Tennyson's poetry partakes in the complex generation
of the modern that was taking place in his era. One of the purposes of
the study is to demonstrate that a cultural studies approach to Tennyson
trivialises his intellectual subtlety and complexity. Making extensive
critical use of Tennyson's manuscript drafts, this study provides close
readings of Tennyson's earlier, shorter poems, together with the
principal works of his maturity including In Memoriam, Maud and The
Lover's Tale, and will be a valuable resource for Tennyson students and
scholars worldwide.