Tempests after Shakespeare shows how the "rewriting" of Shakespeare's
play serves as an interpretive grid through which to read three
movements--postcoloniality, postpatriarchy, and postmodernism--via the
Tempest characters of Caliban, Miranda/Sycorax and Prospero, as they vie
for the ownership of meaning at the end of the twentieth century.
Covering texts in three languages, from four continents, and over the
last four decades, this study imaginatively explores the collapse of
empire and the emergence of independent nation-states; the advent of
feminism and other sexual liberation movements that challenged
patriarchy; and the varied critiques of representation that make up the
"postmodern condition."