This edited volume examines the historical, political, cultural, and
aesthetic implications of re-visiting Restoration Spain (1874-1931) in
television costume dramas produced since 2000. Contributors analyze,
from different theoretical approaches and disciplinary perspectives, the
appeal that the late nineteenth and early twentieth centuries hold for
twenty-first-century Spanish audiences, as well as for international
viewers who consume these programs through new media platforms. Themes
and issues explored include: the production of televisual heritage,
representations of period technologies, evolving constructions of
gender, hybridization of television genres, and television as historian.
Expanding the scope of inquiry in Spanish media studies, this collection
seeks to bring Spain into wider discussions of media and historical
representation and visual and material culture in Europe, the Americas,
and beyond.